Now that the MusiCubes tray is assembled and the RFID-sensor and LEDs are working as expected, It’s time to add the last feature of the original concept: invisible capacitive touch sensors to control the volume of the music.
To “pipe in” the new year, [John] decided to build a bagpipe-playing robot. Unlike other instrument-playing robots that we’ve seen before, this one is somewhat anatomically correct as well. John went the extra mile and 3D printed fingers and hands to play his set of pipes.
The brains of the robot are handled by an Arduino Mega 2560, which drives a set of solenoids through a driver board. The hands themselves are printed from the open source Enabling the Future project which is an organization that 3D prints prosthetic hands for matched recipients, especially people who can’t otherwise afford prosthetics. He had to scale up his hands by 171% to get them to play the pipes correctly, but from there it was a fairly straightforward matter of providing air to the bag (via a human being) and programming the Arduino to play a few songs.
A lot of classic synthesizers rely on analog control voltages to vary parameters; this is a problem for the modern musician who may want to integrate such hardware with a MIDI setup. For just this problem, [little-scale] has built a MIDI-controllable DAC for generating control voltages.
It’s a simple enough build – a Teensy 2 is used to speak USB MIDI to a laptop. This allows the DAC to be used with just about any modern MIDI capable software. The Teensy then controls a Microchip MCP4922 over SPI to generate the requisite control voltages. [little-scale]’s video covers the basic assembly of the hardware on a breadboard, and goes on to demonstrate its use with a performance using the MIDI DAC to control a Moog Mother 32 synth. [little-scale] has also made the code available, making it easy to spin up your own.
We can see this project being indispensable to electronic musicians working with banks of modular synths, making it much easier to tie them in with automation in their DAW of choice. This isn’t the first MIDI interfacing hack we’ve seen either – check out this setup to interface an iPad to guitar pedals.
If you take an object and turn it into something else, does that constitute a hack? Can a musical robot call to question the ethics of firearms exports? If you take a disabled shotgun and turn it into a flute, does it become an art piece? Deep questions indeed — and deliberately posed by [Constantine Zlatev] along with his collaborators [Kostadin Ilov] and [Velina Ruseva].
The Last Gun — a mechano-robotic flute, as [Zlatev] calls it — is built from recovered industrial parts, played using compressed air, and controlled by an Arduino and Raspberry Pi. After graphing the annual arms exports from the United States, the installation plays a mournful tune for each year that they rise, and a jubilant theme for each year they fall.
While The Last Gun appears to be a modified and improved over the previous version — which looks somewhat like a mad engineer’s harp — details are sadly scant on the machining and build processes. However, left to their own devices, one can expect to see many more mechanically musical projects in this team’s future — wherein the actuating of servos pluck at the hearts and minds of its participants.
Sometimes Hackaday runs in closed-loop mode: one hacker makes something, we post it, another hacker sees it and makes something else, and we post it, spiraling upward to cooler and cooler hacks. This is one of those times.
But [Gijs] took the idea and ran with it. What looks like a paperclip dangles off the magnets, and flails wildly around with its tiny steel arms. These hit a zither made of rubber bands with a bamboo skewer as a bridge, pressing down on a piezo. The rest is cardboard, copper-clad, and some ingenuity. Watch it work in the video embedded below.
What’s fun about this piece is that it’s junk, but it’s animated junk. And it’s got just enough variability and control that it can almost be played intentionally like an instrument. It falls between the cracks, and we like that.
Once activated, you’ll be able to plug into the USB port and download the album, or sit there on a remote hillside cliff overlooking the ocean and enjoy the new tunes. Because there’s a headphone jack in the rock, naturally. Besides being a cool hack, we think that putting people in the right physical and mental space for a serious listening is brilliant. Watch the video embedded below for an idea of the making of and a view from the site.
Anywhere else, this would be the coolest album release ever. But this is Hackaday, and we rate it neck-and-neck with this EP released as files for a laser cutter that you’re supposed to cut yourself. What will y’all think up next?
In large churches that still use real bells in their bell towers, a large number of them ring bells using a method called full circle ringing. In order to get the bells to sound at exactly the right time, the bells are rung by swinging the entire bell in an almost complete 360-degree arc. This helps to mitigate the fact that often times, the bells weigh more than the person ringing the bells. However, if you don’t have access to a belfry, you can practice ringing bells using this method with your own full circle bell simulator.
The frame for the bell was built from some leftover aluminum extrusion and allows the bell to easily swing on some old skateboard bearings. The mechanism is electrically controlled, too, using a hall effect sensor and a USB adapter so that it can be interfaced with a computer running a virtual bell ringing suite. Once some timing issues are worked out, the bell is all set up and ready to practice ringing changes.
If you’re as fascinated as we are to find that there are entire software suites available to simulate bell ringing, and an entire culture built around something that most of us, perhaps, wouldn’t have given a second thought to outside of walking past a church on a Sunday, there have been a surprising number of other bell-related projects over the years. Bells have been given MIDI interfaces and robotified, and other church instruments like a pipe organ have been created almost from scratch.
Due largely to the overwhelming dominance of mobile phones, payphones are a sometimes overlooked relic from the 90’s and earlier eras. While seldom seen out in the wild these days, they can however still be acquired for a moderate fee — how many of you knew that? Setting out to prove the lasting usefulness of the payphone, Instructables user [Fuzzy-Wobble] has dialed the retro spirit way past eleven to his ’90 from the ’90s’ payphone boombox.
Conspicuously mounted in the corner of his office, a rangefinder sets the phone to ringing when somebody walks by — a fantastic trap for luring the curious into a nostalgia trip. Anyone who picks up will be prompted to punch in a code from the attached mini-phone book and those who do will be treated to one of ninety hits from — well — the 1990’s. All of the songs have been specifically downgraded to 128kbps for that authentic 90’s sound — complete with audio artifacts. There’s even a little easter egg wherein hitting the coin-return lever triggers the payphone to shout “Get a job!”
[Fuzzy-Wobble] notes that a payphone bracket is indispensable as most all payphones are made of cast iron, and nobody likes holes ripped out of their walls due to improper mounting. They’ve also provided their code as well as links to other tutorials for aspects of the build — such as the Adafruit music maker — throughout. Now you’ll have to excuse us as we groove while lost in a reverie.
Everyone likes a good light show, but probably the children of the 60s and 70s appreciate them a bit more. That’s the era when some stereos came with built-in audio oscilloscopes, the search for which led [Tech Moan] to restore an audio monitor oscilloscope and use it to display oscilloscope music.
If the topic of oscilloscope music seems familiar, it may be because we covered [Jerobeam Fenderson]’s scope-driving compositions a while back. The technique will work on any oscilloscope that can handle X- and Y-axis inputs, but analog scopes make for the best display. The Tektronix 760A that [Tech Moan] scrounged off eBay is even better in that it was purpose-built to live in an audio engineer’s console for visualizing stereo audio signals. The vintage of the discontinued instrument isn’t clear, but from the DIPs and discrete components inside, we’ll hazard a guess of early to mid-1980s. The eBay score was a bargain, but only because it was in less that perfect condition, and [Tech Moan] wisely purchased another burned out Tek scope with the same chassis to use for spares.
The restored 760A does a great job playing [Jerobeam]’s simultaneously haunting and annoying compositions; it’s hard to watch animated images playing across the scope’s screen and not marvel at the work put into composing the right signals to make it all happen. Hats off to [Tech Moan] for bringing the instrument back to life, and to [Jerobeam] for music fit for a scope.
We’ve noticed a lot of musical groups are named after insects. Probably has something to do with the Beatles. (If you study that for a while you’ll spot the homophonic pun, and yes we know that the Crickets inspired the name.) There’s also Iron Butterfly, Adam Ant, and quite a few more. A recent art project by a Mexican team — Micro-ritmos — might inspire some musical groups to be named after bacteria.
The group used geobacter — a kind of bacteria found in soil — a Raspberry Pi, an Arduino, and a camera to build an interesting device. As it looks at the bacteria and uses SuperCollider to create music and lighting from the patterns. You can see a video of Micro-ritmos, below.
Music is a bit subjective, of course. We thought the music sounded a little oppressive. Not sure how much of that is the code and how much is the characteristics of the bacteria itself.
We’ve seen SuperCollider in a banana piano, before (these are popular because for most people bananas have appeal). We’ve also seen other natural processes generating sound like this project for presenting the sunset to the blind.